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American Irish Musical Interpreters,
1850 - 1975
The Clancy Brothers & Tommy
Makem:
Reinventing Irish Traditional Song
Formed in Greenwich Village, New York City in the mid-1950s by brothers Paddy, Tom,
and Liam Clancy (born in Carrick-on-Suir, Ireland) and
Tommy Makem (originally of Keady, Co. Armagh, and son
of noted singer Sarah Makem), the Clancy Brothers and
Tommy Makem exemplify the cross-cultural influences of
Irish traditional song and American folk music.
The group’s unconventional instrumentation of traditional
Irish songs comes from their residency in Greenwich Village,
which in the 1950s and 60s was the center of American
folk music. While pursuing acting careers in Greenwich
Village, the Clancy brothers, with Tommy Makem, sang traditional
Irish songs on the side to supplement their income. Their
concert repertoire initially puzzled listeners, who expected
to hear sentimental numbers such as “Danny Boy”
and “When Irish Eyes are Smiling,” rather
than rebel songs such as “Brennan on the Moor.”
Many songs known to the Clancy Brothers and Tommy Makem
through Irish tradition were unfamiliar to Irish-American
audiences. Borrowing from the American folk tradition,
the group accompanied their traditional songs with guitar,
and later five-string banjo. Liam Clancy maintains that
both the specific instrumentation, and the presence of
any accompaniment in their music, are a product of American
influence.
The group’s appearance on the Ed Sullivan TV show
in 1961 cemented their fame as a musical force, helping
the Clancy Brothers and Tommy Makem bring the oral tradition
of Irish song to a broad American audience, including
the occasional Irish language song. For Irish American
listeners, the success of the Clancy Brothers and Tommy
Makem was a dramatic departure from the commercial songs
of Tin Pan Alley. Record sales, concert receipts, and
the assertions of contemporary artists attest to the importance
of the group in both Irish “traditional” and
American folk contexts.
The Clancy Brothers and Tommy Makem also had a tremendous
impact in Ireland following their American successes.
Liam points out that listeners in Ireland “were
really rediscovering their own music through the touch
of Americana that we added by bringing guitar, banjo,
and pennywhistle to the traditionally unaccompanied music.”
Tommy Makem left the group amicably in 1969 to pursue
a solo career, and each member of the original lineup
has met with success in acting, composing, television,
or performing.
For more information on The Clancy Brothers and Tommy Makem, see the select bibliography created for this exhibit.
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