Dreams of Art & Glory
Book Craft by the Roycrofters
Early Influences
The earliest books in Europe were handwritten on parchment or vellum. Parchment is animal skin, usually sheep or goat, while vellum is the skin of young animals, like calves and lambs. Scribes would spend countless hours writing and decorating these works. The Connolly Book of Hours, written in France during the 14th century, is a beautiful example in the collections of Burns Library pictured below.
The Connolly Book of Hours was a gift of Terence Connolly, SJ, Boston College Librarian from 1945 to 1961. The page reproduced features an illustration of Luke the Evangelist with a bull – a figure of sacrifice, service and strength.
The invention of the printing press by Johannes Gutenberg around 1440 revolutionized the production of books. An incunable, from the Latin word for “cradle,” is a book printed in Europe before 1501, and represents a transition period between the handwritten texts of the past, and the printed works that we recognize today. The text layout of print books was often similar to those in manuscripts, and frequently space was left in the printing process for later hand-illumination. With improvements in technology, printed books transitioned from individual works of art to utilitarian, mass-produced objects.
Biblia Aurea Veteris ac Noui Testamenti Vocitatus (1495) is one of about 80 incunables held by Burns Library. It is a theological work on the Old and New Testaments published in Strassburg by Johann Grüniger.
It is easy to see the influence of Biblia Aurea Veteris ac Noui Testamenti Vocitatus when looking at the Roycrofters’ Sonnets from the Portuguese (1898). The layout, coloring, and illuminated initials were all designed to evoke the earliest printed books.
Samuel and Thomas Roycroft were 17th century London printers and inspiration for the Roycrofters name.