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                <text>Wood, Rev. Hermon Gaylord (1831-1913)</text>
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                <text>Wood, Rev. Hermon Gaylord, 1831-1913</text>
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                <text>Rev. Wood was the architect of the Emmanuel Episcopal Church, West Roxbury, MA (1893). Born in upstate New York, he was self-taught as an architect. He built several churches in Buffalo, Cleveland, Minnesota, and Massachusetts. In the late 1870s, Wood became an adherent of the numerological theories of Charles Piazzi Smyth, who believed that sacred mysteries were inscribed in the measurements of the Great Pyramid of Egypt.</text>
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                <text>Boston College University Libraries</text>
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                <text>Emmanuel Episcopal Church</text>
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                <text>White, Stanford (1853-1906)</text>
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                <text>Born in New York City, White learned architecture under H. H. Richardson, later moving to Paris where he lived with the family of the sculptor Augustus Saint-Gaudens. In 1872 he joined the office of Gambrill and Richardson in Boston and worked on the design for Trinity Church, Boston. In 1879, along with two old architecture friends, he formed the influential practice of McKim, Mead &amp; White. He was usually responsible for the interiors of their designs with the ornamentation and decoration. He was a man of enormous creative energy with truly eclectic tastes. In New York his two surviving works—the Washington Square Arch and the Century Club—both display marvelous Renaissance ornamentation. He designed the old Madison Square Garden in 1889 for which he commissioned a statue of a nude Diana for the cupola that scandalized New York. In the tower itself he built an opulent private apartment and roof garden that became notorious for his extra-curricular goings-on. He was finally shot and killed there by the jealous husband of his lover, Evelyn Nesbit Thaw. His religious architecture includes the early medieval design of Saint Paul's Episcopal Church, Stockbridge, Massachusetts (1883-84) and the Renaissance revival Judson Memorial Church in Washington Square in New York City (1888-1893), and the colonial revival Congregational Church in Naugatuck, CT (1901-03).</text>
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        <name>St. Paul Preaching at Athens - Reverend Samuel P. Parker Memorial Window</name>
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        <name>St. Peter - Dowling Memorial Window</name>
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        <name>St. Stephen - George Dana Boardman Memorial Window</name>
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        <name>The Annunciation - William Ellery Sedgewick Memorial Window</name>
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        <name>The Centurion - James Knott Memorial window</name>
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        <name>The Infant Mary - Lily Holme Bryant Memorial Window</name>
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                <text>Wells, Joseph C. (1813-1860)</text>
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                <text>Wells, Joseph Collins, 1813-1860</text>
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                <text>Joseph C. Wells was an English-born architect who practiced between 1839-1860 in New York City. He was a founding member of the American Institute of Architects in 1857. He was the designer of the Newport Congregational Church (1855-57); this church was painted and fitted with stained glass windows by John La Farge in 1880.</text>
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                <text>Boston College University Libraries</text>
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                <text>Born in Cambridge, Massachusetts in May 1832, Ware graduated from Harvard University in 1852. He studied at the Lawrence Scientific School before moving to New York to become a draftsman in the architectural offices of Richard Morris Hunt. Eight years later he moved to Boston to start his own firm in partnership with Henry van Brunt. Ware was also a pioneer in architectural education. In 1866 he was responsible for organizing the first school of architecture in the United States at MIT in Boston. Then, in 1881 he set up the School of Architecture at Columbia University in New York. He remained head of the school until 1903 when he was made Professor Emeritus. He was awarded many architectural honors and plaudits and was the author of many technical books, including the definitive Modern Perspective. His buildings with stained glass by La Farge include Memorial Hall, Harvard (1871-78) and Christ Church Episcopal, Lincoln (Lonsdale), RI (1883-84).</text>
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                <text>Walker, Charles Howard (1857-1936)</text>
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                <text>Walker was the architect of Mount Vernon Congregational Church, Beacon Street and Massachusetts Avenue, Boston (1892). The church burned in 1978, and was converted to the Church Court Condominiums by Graham Gund. Stained glass windows had previously been removed from the church, and are now in the collection of the Worcester Art Museum in Worcester, MA, and the James C. Nicoll, Jr. Chapel at The Overlook (also known as the James Parker Masonic Home), in Charlton, MA.</text>
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                <text>Vaughan, Henry (1845-1917)</text>
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                <text>Vaughan was born in England, and came to the United States in 1881, where he became a leading figure in the late Gothic revival. His ecclesiastical designs inspired Ralph Adams Cram and others. With George Frederick Bodley, he laid the plans for the Cathedral Church of St. Peter and St. Paul (Washington Cathedral) in Washington, DC, which was begun in 1907. In 1895 Vaughn remodeled Unity Church in North Easton, MA, which was originally designed by John Ames Mitchell (nephew of Oliver Ames Jr.), in 1875.</text>
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                <text>Born in Boston and educated at Harvard, he practiced architecture in his hometown with William Ware for twenty years. Their buildings with stained glass by La Farge include Memorial Hall, Harvard (1871-78) and Christ Church Episcopal, Lincoln (Lonsdale), RI (1883-84). Van Brunt moved to Kansas City in 1887 to join his partner Frank M. Howe. They had opened their office in 1885, their main client the Union Pacific Railroad. The firm designed the Electricity Building for the Chicago World's Columbia Exposition of 1893. He retired to Massachusetts in 1899 and died there four years later.</text>
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                <text>Renowned for church architecture, Upjohn was influential in the spread of Gothic Revival in America. Born in Shaftesbury, in Dorset, England, he initially trained as a cabinet-maker. In 1829 he came to the U.S. and settled in Boston where he started to work as an architect under Alexander Parris. By 1834 he was able to start his own firm, making his name by designing Gothic churches, the most notable of which is the brownstone Gothic Revival Trinity Church in New York (completed 1846). In 1852, he published a book of his designs, Upjohn's Rural Architecture. Other works include St. John’s Church in Bangor, Maine (1837–39), City Hall, Utica, New York (1852–53), St Luke’s Episcopal Church, Ascension, Brooklyn (1867–71), St. Mary’s, Burlington, New Jersey (1846–54), Bowdoin College Chapel, Brunswick, Maine (1844–55), and Trinity Chapel, New York (1853). Upjohn’s Church of the Ascension, New York (1840-41) had its interior remodeled by Stanford White in 1885-89, which brought a monumental mural by John La Farge in 1888. Upjohn was instrumental in setting up the American Institute of Architects and was its first president.</text>
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                <text>Sturgis had a twenty-year partnership with Charles Brigham as the firm Sturgis &amp; Brigham. The firm concentrated on fine domestic architecture, most of the houses being around the Back Bay quarter of Boston and in Newport. They produced fine public commissions as well, such as the Boston Museum of Fine Arts (1872) and Boston Young Men’s Christian Association Building. Sturgis was the architect of Emmanuel Church in Manchester-by-the-Sea, MA. This church was founded by his brother, Major Russell Sturgis, Jr., in 1882.</text>
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                <text>John Ames Mitchell was educated at Harvard University, and studied architecture at the École nationale supérieure des Beaux-Arts in Paris. He was a nephew of Oliver Ames Jr., and in 1875 designed Unity Church in North Easton, MA. This town is known for its many buildings by H.H. Richardson, including the Ames Free Library, the town hall, and the railroad station, which were donated by the Ames family. Henry Vaughn remodeled Unity Church in 1895.</text>
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                <text>Born in Brattleboro, Vermont in August 1846, Mead went to Norwich University and graduated from Amherst College in 1867. He began studying architecture in New York and then spent some time in Florence, Italy. Upon returning to New York, he struck up a professional partnership with Charles F. McKim. Two years later, in 1879, they were joined by Stanford White and named the firm McKim, Mead &amp; White. Together they comprised the leading architectural practice in the United States. Even after the death of the other two principals, Mead continued to head the firm, which worked on many prestigious projects. In 1913 Mead became the first architect to be awarded the gold medal from the Academy of Arts and Letters. Among many other honors, he became a Fellow of the American Institute of Architects, and president of the New York Chapter between 1907-08. King Victor Emmanuel made him a Knight Commander of the Crown of Italy in 1922 for his contribution to the introduction of Roman and Italian Renaissance architectural styles to America. A notable early medieval design by their firm is Saint Paul's Episcopal Church, Stockbridge, Massachusetts, 1883-84. Judson Memorial Church on Washington Square in New York (1888-93) is a masterful example of the American Renaissance. </text>
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