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                <text>Richardson, Henry Hobson (1838-1886) </text>
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                <text>Born in Priestley Plantation, Louisiana, Richardson was educated at Harvard and then studied architecture in Paris at the École des Beaux-Arts (1859–62). While in Europe he worked under Henri Labrouste and Jakob Ignaz Hittorf. He initiated the Romanesque Revival in the United States, which led to a distinctively homegrown style of architecture called Richardsonian Romanesque, dated 1870–95. The style recalls Spanish and French eleventh century Romanesque with massive stone walls, big interior spaces, and semicircular arches interacting together in a continuous architectural flow. He specialized in churches, the most famous of which is Trinity Church, Boston (1872-77), but also designed other well-known buildings such as the Allegheny County Buildings in Pittsburgh and halls of residence at Harvard. He also designed a number of private houses, railroad stations, and wholesale stores.</text>
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                <text>Stephenson, Harris M. (1845-1909)</text>
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                <text>Stern, Robert A. M. (1939)</text>
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                <text>Born in New York City, Stern was educated at Columbia University and then Yale. He was a well-known author and teacher before starting his own practice. He believes in design as a process of cultural assimilation and that architecture is a communicative art. Most of his designs have been for private houses and apartments such as Chilmark, Martha's Vineyard, Massachusetts (1979-83). Other famous commissions include the Norman Rockwell Museum, Stockbridge, Massachusetts (1987-92) and hotels for Euro-Disney in Marne-la Vall_e, France. He became a Fellow of the American Institute of Architects in 1984. In 2010, Stern designed Our Lady of Mercy Chapel, Salve Regina University, Newport, RI. This chapel houses the three large figurative windows by John La Farge that were originally in a private chapel in the home of the Caldwell sisters of Newport, and later in a convent in Fall River, MA.</text>
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                <text>Sturgis had a twenty-year partnership with Charles Brigham as the firm Sturgis &amp; Brigham. The firm concentrated on fine domestic architecture, most of the houses being around the Back Bay quarter of Boston and in Newport. They produced fine public commissions as well, such as the Boston Museum of Fine Arts (1872) and Boston Young Men’s Christian Association Building. Sturgis was the architect of Emmanuel Church in Manchester-by-the-Sea, MA. This church was founded by his brother, Major Russell Sturgis, Jr., in 1882.</text>
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                <text>Renowned for church architecture, Upjohn was influential in the spread of Gothic Revival in America. Born in Shaftesbury, in Dorset, England, he initially trained as a cabinet-maker. In 1829 he came to the U.S. and settled in Boston where he started to work as an architect under Alexander Parris. By 1834 he was able to start his own firm, making his name by designing Gothic churches, the most notable of which is the brownstone Gothic Revival Trinity Church in New York (completed 1846). In 1852, he published a book of his designs, Upjohn's Rural Architecture. Other works include St. John’s Church in Bangor, Maine (1837–39), City Hall, Utica, New York (1852–53), St Luke’s Episcopal Church, Ascension, Brooklyn (1867–71), St. Mary’s, Burlington, New Jersey (1846–54), Bowdoin College Chapel, Brunswick, Maine (1844–55), and Trinity Chapel, New York (1853). Upjohn’s Church of the Ascension, New York (1840-41) had its interior remodeled by Stanford White in 1885-89, which brought a monumental mural by John La Farge in 1888. Upjohn was instrumental in setting up the American Institute of Architects and was its first president.</text>
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                <text>Born in Cambridge, Massachusetts in May 1832, Ware graduated from Harvard University in 1852. He studied at the Lawrence Scientific School before moving to New York to become a draftsman in the architectural offices of Richard Morris Hunt. Eight years later he moved to Boston to start his own firm in partnership with Henry van Brunt. Ware was also a pioneer in architectural education. In 1866 he was responsible for organizing the first school of architecture in the United States at MIT in Boston. Then, in 1881 he set up the School of Architecture at Columbia University in New York. He remained head of the school until 1903 when he was made Professor Emeritus. He was awarded many architectural honors and plaudits and was the author of many technical books, including the definitive Modern Perspective. His buildings with stained glass by La Farge include Memorial Hall, Harvard (1871-78) and Christ Church Episcopal, Lincoln (Lonsdale), RI (1883-84).</text>
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                <text>Born in New York City, White learned architecture under H. H. Richardson, later moving to Paris where he lived with the family of the sculptor Augustus Saint-Gaudens. In 1872 he joined the office of Gambrill and Richardson in Boston and worked on the design for Trinity Church, Boston. In 1879, along with two old architecture friends, he formed the influential practice of McKim, Mead &amp; White. He was usually responsible for the interiors of their designs with the ornamentation and decoration. He was a man of enormous creative energy with truly eclectic tastes. In New York his two surviving works—the Washington Square Arch and the Century Club—both display marvelous Renaissance ornamentation. He designed the old Madison Square Garden in 1889 for which he commissioned a statue of a nude Diana for the cupola that scandalized New York. In the tower itself he built an opulent private apartment and roof garden that became notorious for his extra-curricular goings-on. He was finally shot and killed there by the jealous husband of his lover, Evelyn Nesbit Thaw. His religious architecture includes the early medieval design of Saint Paul's Episcopal Church, Stockbridge, Massachusetts (1883-84) and the Renaissance revival Judson Memorial Church in Washington Square in New York City (1888-1893), and the colonial revival Congregational Church in Naugatuck, CT (1901-03).</text>
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