This catalog surveys Mary Sherman’s work which straddles painting, sculpture, installation and performance. Painting, however, remains the driving force of Sherman's aesthetic approach, which conveys the form’s past mysteries, present incarnations and future possibilities. Conventional definitions of artistic disciplines are overturned in a journey that explores the relationships between paintings and sound with the aid of mechanics and digital tools.
Why You Eat What You Eat
by Rachel Herz
Antique Coptic Textiles in McMullen Museum
by Nancy Netzer
Listening to Early Modern Catholicism: Perspectives from Musicology
Edited by Michael Noone & Daniele V. Filippi
Nazi Law: From Nuremberg to Nuremberg
Edited by John J. Michalczyk
Academic–Practitioner Relationships: Developments, Complexities and Opportunities
by Jean M. Bartunek & Jane McKenzie
Rebel Power: Why National Movements Compete, Fight, and Win
by Peter Krause
Father Blake on his life long involvement with Film Studies and his twenty-two years at Boston College
by Richard Blake S.J. Ph.D.
Written for Our Instruction: Theological and Spiritual Riches in Romans
by Thomas D. Stegman, S.J.
English Alliterative Verse: Poetic Tradition and Literary History
by Eric Weiskott
From Neither Here Not There
by Sammy Chong, S.J.
21st Century Corporate Citizenship: a Practical Guide to Delivering Value to Society and Your Business
by Katherine Valvoda Smith and Dave Stangis